23 Bibliography

Cohen, Ted. “High and Low Art, and High and Low Audiences.” The Journal of Aesthetics and Art Criticism 57, no. 2 (1999): 137-43. doi:10.2307/432308.

 

Drohojowska-Philp, Hunter. “Superflat.” Artnet. January 14, 2001. Accessed May 1, 2019. http://www.artnet.com/Magazine/features/drohojowska-philp/drohojowska-philp1-18-01.asp.

 

Hogan, Marc. “Tom Sachs Explains Frank Ocean’s Endless “Stairway to Heaven”.” Pitchfork. August 21, 2016. Accessed May 3, 2019. https://pitchfork.com/news/67699-tom-sachs-explains-frank-oceans-endless-stairway-to-heaven/.

 

McLeod, Ken. “Afro-Samurai: Techno-Orientalism and Contemporary Hip Hop.” Popular Music 32, no. 2 (2013): 259–75. doi:10.1017/S0261143013000056.

 

Murray, Derek. “One Planet Under a Groove: Hip Hop and Contemporary Art.” Nka: Journal of Contemporary African Art 16 (2002): 60-65. Accessed March 19, 2019). https://muse.jhu.edu/.

 

Strauss, Matthew. “Tricky Stewart, Who Signed Frank Ocean to Def Jam, Slams Label for Mistreatment of Frank.” Pitchfork. August 26, 2016. Accessed April 20, 2019.  https://pitchfork.com/news/59145-tricky-stewart-who-signed-frank-ocean-to-def-jam-slams-label-for-mistreatment-of-frank/.

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Opening Contemporary Art Copyright © by Sarah Parrish. All Rights Reserved.

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